Day 1
Day 1
Ann Course
Ann Course describes her project Day 1 as follows: “I felt surprised to be making a flag, as it’s not something I would envisage doing at home. But here I had the nerve; flags seem to belong more to anyone rather than a particular rank or institution. This flag was sewn together by a local tailor for $10 and hung from the balcony by gallant Naji.”
Artist, international, and workshop; key words which constitute the essence of most Triangle workshops, abbreviations which represent more than what is needed to come together, know each other as artists and producers. The workshop is an activity that feeds not on the particular but on the affordability of time, space, and the supportive functions of any productive facility. However, that might seem indefinite. It's only intrinsic of aiw:a to process the ideas, develop concepts, and in many cases, break the limits of one's own works and perceptions. To say the least, aiw:a is a creative space where everything is possible. The context is a small private corner of the tonw of Aley overlooking Beirut, holding dormant the obscene memories of a not so long ago war. Destroyed family houses dot the landscape mixing with the new and the renovated, and for two weeks, became the place for 21 internationals. Some works inevitably acknowledged the war, recreating scenes reminiscent of the culture it shaped, while others hinted at the moments we were living. Some transformed the morbid settings into spaces of their own; others viewed them as playful grounds. It was a period of great importance to space still consumed in its own flux, and knowns, not so much of how it will grow, but how it is to struggle with the prevalent rules of our post-war urbanization. Above all, this workshop is not about the space, the season, or the memories of a civil war. It's about the self and the other, communally developing the processes of their works. Participating Artists: Abdulla Kahil, Ann Course, Mo Abd-Ulla, Annette Stahmer, Anab Ul Firdos, Auj Khan, Bassel Asaadi, Cynthia Zaven, Elie Abousamra, Elmas Deniz, Fernando Palomar, Akram Zaatari, Ghassan Maasri, Gill Ord, Hanan Hizrallah, Hassan Darsi, Mahmoud Khaled, Mohammed Al Riffai, Oraib Toukan, Ramin Haerzadeh, Tamara Al Samerraei, Tom Chamberlain, Duan Yingmei
Year: 2005
Location: Aley, Mount Lebanon
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Date: 2005
Location: Aley
Medium: Installation
Material: Flag
Section: Contemporary
Duration: Temporary
Tags:
Site-specific Intervention
Site-specific Intervention
Site-specific artworks / projects take into consideration the location where it is to be exposed, with regard to both space and community. In other words, it is marked with the site’s history, physical elements, topographical features, socioeconomic factors and/or other significant elements, which make the work impossible to displace, or, at the least, less relevant if not apprehended within this site.
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Social Practice
Social Practice
Socially engaged practice describes art that is collaborative, often participatory and involves people as the medium or material of the work. The participatory element is key, with the artworks created often holding equal or less importance to the collaborative act of creating them. Socially engaged practice can be associated with activism because it often deals with political issues. (Tate)
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Site-specific artworks / projects take into consideration the location where it is to be exposed, with regard to both space and community. In other words, it is marked with the site’s history, physical elements, topographical features, socioeconomic factors and/or other significant elements, which make the work impossible to displace, or, at the least, less relevant if not apprehended within this site.
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Socially engaged practice describes art that is collaborative, often participatory and involves people as the medium or material of the work. The participatory element is key, with the artworks created often holding equal or less importance to the collaborative act of creating them. Socially engaged practice can be associated with activism because it often deals with political issues. (Tate)
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Framework: Artists' International Workshop: Aley
Authorizations: Flag
Commissioner: N/A
This category refers to artworks or projects that take place for a specific amount of time determined by the artist, the commissioner, or the authorities involved.
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